Wenn Sie alles wollen, dann ist dieses Bundle das Richtige für Sie. The Works enthält jede Software, die Kilohearts jemals veröffentlicht hat. Das bedeutet, dass Sie nicht nur den unglaublichen Umfang der Kilohearts kHs Toolbox mit ihren unzähligen Effekten, sondern auch die gefeierten Effekte Disperser und Faturator erhalten! Beide funktionieren auch als Snapins (Plugins) in unseren Snapin Host Plugins. Sprich: Der vielseitigste band-splitter der Welt, Multipass ist enthalten, um das Beste aus Ihren Effekten herauszuholen. Und da wir hier praktisch Sachen weggeben, haben wir den KHs ONE substractive Synthesizer für ein gutes Mass eingebaut.
How Music Works: David Byrne
How Music Works: David Byrne
How Music Works:Three Rivers Press David Byrne
How Music Works:A listener´s guide to harmony, keys, broken chords, perfect pitch and the secrets of a good tune John Powell
Best known as a founding member and principal songwriter of the iconic band Talking Heads, David Byrne has received Grammy, Oscar, and Golden Globe awards and has been inducted into the Rock and Roll Hall of Fame. In the insightful How Music Works, Byrne offers his unique perspective on music - including how music is shaped by time, how recording technologies transform the listening experience, the evolution of the industry, and much more. 1. Language: English. Narrator: Andrew Garman. Audio sample: http://samples.audible.de/bk/reco/006248/bk_reco_006248_sample.mp3. Digital audiobook in aax.
Gebundene Ausgabe - 328 Seiten - Tracking Pop - 2010 - Englisch ´Wrestling clarity from the exuberant chaos of early rock ´n´ roll, Albin Zak´s I Don´t Sound Like Nobody redefines our understanding of the record in the shaping of the post–World War II soundscape. Zak tracks the story which extends from Bing Crosby and Frank Sinatra through Elvis and Buddy Holly to the Beatles and Bob Dylan with excursions into dozens of lesser known, but crucial, players in a game with few established rules. A crucial addition to the bookshelf.´ – Craig Werner, author of A Change Is Gonna Come: Music, Race & the Soul of America ´In Albin J. Zak III´s highly original study, phonograph records are not just the medium for disseminating songs but musical works unto themselves. Fashioned from a mix of copyright law, recording studios and techniques, the talent of musicians and disc jockeys, the ingenuity and avarice of producers, and the appetites of record buyers, the all-powerful marketplace Zak describes is an unruly zone where music of, by, and for the people is made and anointed.´ — Richard Crawford, author of America´s Musical Life: A History ´I Don´t Sound Like Nobody´ is a superb account of the transformation of American popular music in the 195os. Albin Zak insightfully explores what recording actually means in terms of the process of making and consuming music. His discussion of the legal, aesthetic, and industrial ramifications of changes in the recording process over the course of the 195os will make popu-lar music scholars and record collectors reconsider what they think they know about the period.´ Rob Bowman, author of Soulsville, U.S.A.: The Story of Stax Records ´From the birth of the record industry through the legacy of Presley, the devel-opment of rock and roll, and the Beatles ´stunning arrival on the world´s stage,´ Albin Zak takes us on a journey of exceptional scholarship. The breadth of cov-erage and deep examination of recordings and repertoire reveal the author´s reverence and sensitivity to the many dimensions and origins of this complex musical soundscape.´ William Moylan, author of Understanding and Crafting the Mix: The Art of Recording
(2004/MUSIC MENTOR) English, Paperback, 15.5x23.5 cm, 360 page, b&w illustrations - Bill Millar has been involved in music journalism since 1965, when Blues Unlimited published his first article. The author of pioneering books on black vocal groups - ´The Drifters´ (Macmillan, 1971) and ´The Coasters´ (W.H. Allen, 1975) - he was also Consultant Editor on Panther´s Encyclopedia Of Rock (1976) and Orbi´s History Of Rock (1981). His long-running ´Echoes´ column, which celebrated talents as Leiber & Stoller, the Ink Spots and Roy Buchanan, appeared in Record Mirror, Let It Rock and Melody Maker. He has also contributed to Country Music Review, Cream, Time Out, Mojo and many other publications. Millar´s liner notes have likewise informed numerous albums. He compiled most of the major label rockabilly anthologies of the Seventies and continues this work today for Bear Family Records.