Copiously illustrated by excerpts from Verdi´s music, this programme tells how the composer rose from humble origins to become the unrivalled master of Italian opera. Living in the time of Italian unification, his music and his life became entwined with politics and patriotism and his melodies were taken up as battle cries in the Italian fight against foreign domination. This programme explores the fertility of his musical imagination and his deep but unconventional religious faith. 1. Language: English. Narrator: Richard Mayes. Audio sample: http://samples.audible.de/pf/berg/000027de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
So, you´re a music teacher. Or perhaps you are an administrator hoping to start a music program at your school. Maybe your program is running, but you have no idea how to drive it, give it a long vision and productive implementation. Is it working? Is it doing what it should be doing? What is that goal in the first place? Or maybe you are a parent, wondering how to put your child or yourself on the path to music literacy. This book is for you. Once a culture restores the priority of training its people in music, the task shifts to finding what type of instruction should be present in formal school education. In this book, you will find practical help in answer to this search and so much more: Music as a language Four principles for music literacy Common pitfalls in music training Music making vs. music history The teacher as curriculum It´s time to revive robust music training again, training that imparts great skill modeled after the Triune God who authored all truth, goodness and beauty. Whatever your role in this endeavor, this book will offer tools to again bring musicians like Bach to the Future. 1. Language: English. Narrator: Jarrod Richey. Audio sample: http://samples.audible.de/bk/acx0/083100de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
What is music? How is it constructed? How is it consumed? Why do you enjoy it at all? In Music: A Very Short plays Introduction, Nicholas Cook invites us to really think about music and the role it plays in our lives and our ears. Drawing on a number of accessible examples, the author prompts us to call on our own musical experiences in order to think more critically about the roles of the performers and the listener, about music as a commodity and an experience, what it means to understand music, and the values we ascribe to it.This very short introduction, written with both humor and flair, begins with a sampling of music as human activity and then goes on to consider the slippery phenomenon of how music has become an object of thought. Covering not only Western and classical music, Cook touches on all types from rock to Indonesian music and beyond. Incorporating musical forms from every continent, Music will make enjoyable reading for beginner and expert alike. 1. Language: English. Narrator: Suzanne Toren. Audio sample: http://samples.audible.de/bk/adbl/000906de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
This product contains no music notation. This product can be used for many projects. Suggestions: Compose and record your own style of music Choose your own instrument(s) Turn lyrics into Scottish folk ballads Form a band to sing and play together Form a choir Sing and play solo Gig/open mic night/busking/folk session Recital for a special occasion A love song Your projects are endless. Suitable for both male and female artists. 1. Language: English. Narrator: Tyler Cochran. Audio sample: http://samples.audible.de/bk/acx0/044278de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
Music is a performative art. It stresses movement through time and engages our suggestive sense of its passing. Music has tendency, it normally invokes goals of various sorts, both near and far. Music has closure, a sensation not just of ending, but of expecting no more. Music also has accent. It is a dynamic process of stresses and nuance that often varies in dimension from one performance to the next. This course is not designed as a chronological survey of musical history and its many stylistic periods or moments, nor an exploration of the lives and output of individual composers. Instead, these lectures focus on the development of listening skills. Through this course you will develop new levels of aural awareness that will allow you to better appreciate the richness, complexity and excitement at the heart of all great concert music.PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your My Library section along with the audio. 1. Language: English. Narrator: Richard Freedman. Audio sample: http://samples.audible.de/bk/reco/002179de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
Johannes Brahms was a man of contrasts. His serious Teutonic music was balanced by joyful dance music. His miserliness with himself by exceeding generosity with family and associates. His kindness to working people with a biting, malicious wit reserved for those he encountered in artistic and aristocratic circles. He was not an easy man to know, destroying a good deal of his own work and almost all of his lifetime´s correspondence, in later years even collecting his letters from friends so that he could consign them to the flames. Yet you can know this enigmatic genius through this 8-lecture series, which uses biographical information and musical commentary to link the complexities of Brahms the man with the electrifying music of Brahms the composer.You´ll learn how Brahms found unique ways of combining the rigor and formal complexity of older Classical and even Baroque genres and forms with the melodic inventiveness, harmonic sophistication, and expressive richness so prized in the Romantic age. And how his fanatical perfectionism led him to write, rewrite, and ultimately destroy more than 20 string quartets before publishing a pair of exceptionally exquisite pieces at the age of 40, breathing new life into the old bones of this exacting chamber music form. ´´His legacy,´´ notes Professor Greenberg, ´´is a lifetime of extraordinary craft and artistic beauty without an inferior piece in the collection.´´ PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio. 1. Language: English. Narrator: Professor Robert Greenberg. Audio sample: http://samples.audible.de/bk/tcco/000118de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
As early as 1954, a new style of music - a combination of country and rhythm and blues - was unfolding. To the parents of teenagers, it was worrisome, perhaps even evil. In this collection of original recordings from interviews and press conferences, artists talk about the early years of rock ´n´ roll, their challenges, and their successes. Includes legendary moments from Bill Haley; Carl Perkins; Elvis Presley; Frankie Laine; Ricky Nelson; Roy Orbison; Sam Phillips; Gene Vincent; Jerry Lee Lewisl Paul Anka; Little Richard; Bobby Darin; Buddy Holly; Chuck Berry; Frankie Avalon; Sammy Davis, Jr.; James Brown; Johnny Cash; the Beatles; Jim Morrison; Jimi Hendrix; and John Lennon. 1. Language: English. Narrator: full cast. Audio sample: http://samples.audible.de/bk/blak/008552de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
Rhythm & blues emerged from the African American community in the late 1940s to become the driving force in American popular music over the next half-century. Although sometimes called ´´doo-wop´´, ´´soul´´, ´´funk´´, ´´urban contemporary´´, or ´´hip-hop´´, R&B is actually an umbrella category that includes all of these styles and genres. It is in fact a modern-day incarnation of a musical tradition that stretches back to 19th-century America, and even further to African beginnings. The New Blue Music: Changes in Rhythm & Blues, 1950-1999 traces the development of R&B from 1950 to 1999 by closely analyzing the top 25 songs of each decade. The music of artists as wide-ranging as Louis Jordan; John Lee Hooker; Ray Charles; James Brown; Earth, Wind & Fire; Michael Jackson; Public Enemy; Mariah Carey; and Usher takes center stage as the author illustrates how R&B has not only retained its traditional core style, but has also experienced a ´´re-Africanization´´ over time. By investigating musical elements of form, style, and content in R&B - and offering numerous musical examples - the book shows the connection between R&B and other forms of American popular and religious music, such as spirituals, ragtime, blues, jazz, country, gospel, and rock ´n´ roll. With this evidence in hand, the author hypothesizes the existence of an even larger musical ´´super-genre´´ which he labels ´´The New Blue Music´´. Richard J. Ripani is a faculty member at Hume-Fogg Academic High School in Nashville, Tennessee. He is also a professional musician and songwriter in Nashville, performing with artists such as Ronnie Milsap, Ronnie McDowell, the Kentucky Headhunters, and Lee Greenwood. He has worked on numerous national television programs and earned gold and platinum records. 1. Language: English. Narrator: Kenneth Lee. Audio sample: http://samples.audible.de/bk/acx0/003714de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
Jazz 101 is a fascinating entry into the world of jazz, for the beginner, novice, or jazz enthusiast. Szwed takes listeners on a tour of the varied and nonlinear history of jazz, exploring how it developed from an ethnic music to become America´s most popular music and then part of the avant-garde in less than 50 years. Szwed´s complete overview includes the major types of jazz and significant jazz musicians of the 20th century, the roots of jazz, including its European and African influences, and recommended listening, plus appendices on jazz singers, record guides, and more.Infinitely readable and highly entertaining, Jazz 101 is a vital tool in understanding and appreciating jazz. 1. Language: English. Narrator: Grover Gardner. Audio sample: http://samples.audible.de/bk/blak/000748de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
Classical purists say it isn´t ´real´ music, yet it regularly tops charts and plays to sell-out concert hall audiences. Chart music followers consider the orchestral form passé, yet artists are increasingly sampling from cinema classics. Many cinemagoers are unaware there is music accompanying the films they watch. Some composers say that´s the way it should be. Others strongly disagree.This book celebrates the rich history behind all these views. Who have been the most influential composers and who have they influenced? Which scores have best served a film and why? What have been the historical, social, and technological changes that have affected the industry? This book addresses all these points in a chronological examination of this much-maligned art form. From Ben Hur to Star Wars and Psycho to Scream, film music has played an essential role in such genre-defining classics. Making us laugh, cry, and jump with fright, it´s the manipulative tool directors cannot do without. There are many differing approaches and opinions about what achieves a desired emotional effect, with composers always hunting a golden rulebook of tricks they can employ. This isn´t that particular book. What´s in it? The turbulent history, the ever-changing craft, the reclusive or limelight-loving superstars, the enthusiastic world of fandom surrounding it, and the best way to build a collection. It´s all streamlined into a user-friendly guide for buffs and novices alike. 1. Language: English. Narrator: Victoria Gaskell-Watkins. Audio sample: http://samples.audible.de/bk/summ/000180de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.