This volume explores the ways in which music scenes are not merely physical spaces for the practice of collective musical life but are also inscribed with and enacted through the articulation of cultural memory and emotional geography. The book draws on empirical data collected in cites throughout Australia. In terms of understanding the relationship between music scenes and participants, much of the existing popular music literature tends to avoid one key aspect of scene: its predominant past-tense and memory-based nature. Nascent music scenes may be emergent and on-going but their articulation in the present is often based on past events, ideas and histories. There is a noticeable gap between the literature concerning popular music ethnography and the growing body of work on cultural memory and emotional geography. This book is a study of the conceptual formation and use of music scenes by participants. It is also an investigation of the structures underpinning music scenes more generally. Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Australia. A leading figure in sociological studies of popular music and youth culture, he is author and editor of numerous books including Music, Style, and Aging, Music Scenes (co-edited with Richard A. Peterson) and Remembering Woodstock . Ian Rogers is Lecturer of Popular Music in the School of Media and Communication at RMIT University. He is the author of numerous articles on musician ideologies, music policy and local music history and is an accomplished musician and critic.
Cage the Elephant has toured the globe, sold hundreds of thousands of albums, and become, in Rolling Stone’s words, ´´one of rock’s best young bands.” Before any of that, though, Cage was just five guys from Bowling Green, a small town in southern Kentucky. In Home Grown, Craig Fehrman secured Almost Famous-levels of access to tell the story of Cage’s rise. But along the way he discovered an even bigger story - how a tiny, overlooked place like Bowling Green had itself become one of the most vibrant music scenes in the country. Through vivid storytelling and exclusive details, Home Grown traces the history of Cage, from the band forming in high school to hanging with the Foo Fighters. But the Single also explores how and why Cage keeps coming home. You’ll meet the characters and locations that make up Bowling Green’s scene: the music-first dive bar where Cage got its start; the creaky, Pirate-themed house where artists gather to jam; the radio DJ who sacrificed everything to play local music - plus a slew of exciting young bands, all in different stages of their careers. How does a music scene work, especially in a place most people assume doesn’t even have a music scene? Home Grown has the answers, and it makes a great read for music fans - or for anyone who grew up in a place like Bowling Green. Craig Fehrman is a writer who lives in Indiana. His work has appeared in The New York Times, The New Republic, and Slate, among others. 1. Language: English. Narrator: Rex Anderson. Audio sample: http://samples.audible.de/bk/adbl/018600de/bk_rhde_002536_sample.mp3. Digital audiobook in aax.
Local Music Scenes and Globalization:Transnational Platforms in Beirut Thomas Burkhalter
Among the Great Masters of Music Scenes in the Lives of Famous Musicians: Walter Rowlands