Folk music is more than an idealized reminder of a simpler past. It reveals a great deal about present-day understandings of community and belonging. It celebrates the shared traditions that define a group or nation. In America, folk music - from African-American spirituals to English ballads and protest songs - renders the imagined community more tangible and comprises a critical component of our diverse national heritage. In ´´I Hear America Singing´´, Rachel Donaldson traces the vibrant history of the 20th-century folk music revival from its origins in the 1930s through its end in the late 1960s. She investigates the relationship between the revival and concepts of nationalism, showing how key figures in the revival - including Pete Seeger, Alan Lomax, Moses Asch, and Ralph Rinzler - used songs to influence the ways in which Americans understood the values, the culture, and the people of their own nation. 1. Language: English. Narrator: Arthur Flavell. Audio sample: http://samples.audible.de/bk/acx0/055448/bk_acx0_055448_sample.mp3. Digital audiobook in aax.
Rhythm & blues emerged from the African American community in the late 1940s to become the driving force in American popular music over the next half-century. Although sometimes called ´´doo-wop´´, ´´soul´´, ´´funk´´, ´´urban contemporary´´, or ´´hip-hop´´, R&B is actually an umbrella category that includes all of these styles and genres. It is in fact a modern-day incarnation of a musical tradition that stretches back to 19th-century America, and even further to African beginnings. The New Blue Music: Changes in Rhythm & Blues, 1950-1999 traces the development of R&B from 1950 to 1999 by closely analyzing the top 25 songs of each decade. The music of artists as wide-ranging as Louis Jordan; John Lee Hooker; Ray Charles; James Brown; Earth, Wind & Fire; Michael Jackson; Public Enemy; Mariah Carey; and Usher takes center stage as the author illustrates how R&B has not only retained its traditional core style, but has also experienced a ´´re-Africanization´´ over time. By investigating musical elements of form, style, and content in R&B - and offering numerous musical examples - the book shows the connection between R&B and other forms of American popular and religious music, such as spirituals, ragtime, blues, jazz, country, gospel, and rock ´n´ roll. With this evidence in hand, the author hypothesizes the existence of an even larger musical ´´super-genre´´ which he labels ´´The New Blue Music´´. Richard J. Ripani is a faculty member at Hume-Fogg Academic High School in Nashville, Tennessee. He is also a professional musician and songwriter in Nashville, performing with artists such as Ronnie Milsap, Ronnie McDowell, the Kentucky Headhunters, and Lee Greenwood. He has worked on numerous national television programs and earned gold and platinum records. 1. Language: English. Narrator: Kenneth Lee. Audio sample: http://samples.audible.de/bk/acx0/003714/bk_acx0_003714_sample.mp3. Digital audiobook in aax.
This is the first study to explore fully the myth of America as reflected in the nation´s popular music. Beginning with the songs of the Pilgrims and continuing through more than two centuries of history and music, Born in the U.S.A. shows the emerging American myth and gives a close reading of the compositions of songwriters as diverse as William Billings, Henry Clay Work, Irving Berlin, Woody Guthrie, Bob Dylan, and Bruce Springsteen. So that the full and diverse narrative of this complex nation might be recorded, this insightful study is focused both upon the national myth and upon the songwriters and performers representing subcultures and alternative viewpoints that are the text of America´s story. Through hymnlike paeans and through discordant lamentations protesting the realities of the contemporary workaday world, popular music is an astonishing mirror of American history. The book is published by University Press of Mississippi. 1. Language: English. Narrator: Gary Roelofs. Audio sample: http://samples.audible.de/bk/acx0/084876/bk_acx0_084876_sample.mp3. Digital audiobook in aax.
Roberta Flack gained national recognition with her song ´´The First Time Ever I Saw Your Face´´ from the movie Play Misty for Me. The singer, songwriter, and musician performed a wide variety of music including jazz, classical, folk, soul, pop and R&B. She was the first to win the Grammy Award for Record of the Year in two consecutive years. Flack takes pride in being an accomplished artist and a shrewd businesswoman. Wink Martindale speaks with Flack and provides a comprehensive overview of Flack´s numerous accomplishments and successful career. 1. Language: English. Narrator: Wink Martindale. Audio sample: http://samples.audible.de/bk/comm/000129/bk_comm_000129_sample.mp3. Digital audiobook in aax.
In 1966, journalist Charles Suhor wrote that New Orleans jazz was ´´ready for its new Golden Age´´. Thomas W. Jacobsen´s The New Orleans Jazz Scene, 1970-2000 chronicles the resurgence of jazz music in the Crescent City in the years following Suhor´s prophetic claim. Jacobsen, a New Orleans resident and longtime jazz aficionado, offers a wide-ranging history of the New Orleans jazz renaissance in the last three decades of the twentieth century, weaving local musical developments into the larger context of the national jazz scene. Jacobsen vividly evokes the changing face of the New Orleans jazz world at the close of the twentieth century. Drawing from an array of personal experiences and his own exhaustive research, he discusses leading musicians and bands, both traditionalists and modernists, as well as major performance venues and festivals. The city´s musical infrastructure does not go overlooked, as Jacobsen delves into New Orleans´s music business, its jazz media, and the evolution of jazz education at public schools and universities. The New Orleans Jazz Scene, 1970-2000 offers a vibrant and fascinating portrait of the musical genre that defines New Orleans. 1. Language: English. Narrator: David Randall Hunter. Audio sample: http://samples.audible.de/bk/acx0/069715/bk_acx0_069715_sample.mp3. Digital audiobook in aax.
The Literature of National Music:
The Literature of National Music:
Film Music: National Film Music Council
Music, National Identity and the Politics of Location:Between the Global and the Local Vanessa Knights