Cage the Elephant has toured the globe, sold hundreds of thousands of albums, and become, in Rolling Stone’s words, ´´one of rock’s best young bands.” Before any of that, though, Cage was just five guys from Bowling Green, a small town in southern Kentucky. In Home Grown, Craig Fehrman secured Almost Famous-levels of access to tell the story of Cage’s rise. But along the way he discovered an even bigger story - how a tiny, overlooked place like Bowling Green had itself become one of the most vibrant music scenes in the country. Through vivid storytelling and exclusive details, Home Grown traces the history of Cage, from the band forming in high school to hanging with the Foo Fighters. But the Single also explores how and why Cage keeps coming home. You’ll meet the characters and locations that make up Bowling Green’s scene: the music-first dive bar where Cage got its start; the creaky, Pirate-themed house where artists gather to jam; the radio DJ who sacrificed everything to play local music - plus a slew of exciting young bands, all in different stages of their careers. How does a music scene work, especially in a place most people assume doesn’t even have a music scene? Home Grown has the answers, and it makes a great read for music fans - or for anyone who grew up in a place like Bowling Green. Craig Fehrman is a writer who lives in Indiana. His work has appeared in The New York Times, The New Republic, and Slate, among others. 1. Language: English. Narrator: Rex Anderson. Audio sample: http://samples.audible.de/bk/adbl/018600/bk_adbl_018600_sample.mp3. Digital audiobook in aax.
Music is a performative art. It stresses movement through time and engages our suggestive sense of its passing. Music has tendency, it normally invokes goals of various sorts, both near and far. Music has closure, a sensation not just of ending, but of expecting no more. Music also has accent. It is a dynamic process of stresses and nuance that often varies in dimension from one performance to the next. This course is not designed as a chronological survey of musical history and its many stylistic periods or moments, nor an exploration of the lives and output of individual composers. Instead, these lectures focus on the development of listening skills. Through this course you will develop new levels of aural awareness that will allow you to better appreciate the richness, complexity and excitement at the heart of all great concert music.PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your My Library section along with the audio. 1. Language: English. Narrator: Richard Freedman. Audio sample: http://samples.audible.de/bk/reco/002179/bk_reco_002179_sample.mp3. Digital audiobook in aax.
Rhythm & blues emerged from the African American community in the late 1940s to become the driving force in American popular music over the next half-century. Although sometimes called ´´doo-wop´´, ´´soul´´, ´´funk´´, ´´urban contemporary´´, or ´´hip-hop´´, R&B is actually an umbrella category that includes all of these styles and genres. It is in fact a modern-day incarnation of a musical tradition that stretches back to 19th-century America, and even further to African beginnings. The New Blue Music: Changes in Rhythm & Blues, 1950-1999 traces the development of R&B from 1950 to 1999 by closely analyzing the top 25 songs of each decade. The music of artists as wide-ranging as Louis Jordan; John Lee Hooker; Ray Charles; James Brown; Earth, Wind & Fire; Michael Jackson; Public Enemy; Mariah Carey; and Usher takes center stage as the author illustrates how R&B has not only retained its traditional core style, but has also experienced a ´´re-Africanization´´ over time. By investigating musical elements of form, style, and content in R&B - and offering numerous musical examples - the book shows the connection between R&B and other forms of American popular and religious music, such as spirituals, ragtime, blues, jazz, country, gospel, and rock ´n´ roll. With this evidence in hand, the author hypothesizes the existence of an even larger musical ´´super-genre´´ which he labels ´´The New Blue Music´´. Richard J. Ripani is a faculty member at Hume-Fogg Academic High School in Nashville, Tennessee. He is also a professional musician and songwriter in Nashville, performing with artists such as Ronnie Milsap, Ronnie McDowell, the Kentucky Headhunters, and Lee Greenwood. He has worked on numerous national television programs and earned gold and platinum records. 1. Language: English. Narrator: Kenneth Lee. Audio sample: http://samples.audible.de/bk/acx0/003714/bk_acx0_003714_sample.mp3. Digital audiobook in aax.
Con la caída del punk como fenómeno masivo y el declive del heavy metal como género prometedor, el horizonte musical del rock urgía seriamente de la novedad. Sin embargo, nadie estaba preparado para la onda new wave, un género que diversificó hasta límites increíbles el espectro del rock. Bandas como Tears for fears, The Cure, Depeche Mode, A-HA, Culture Club y un largo etcétera, estuvieron ahí para confirmarlo. Please note: This audiobook is in Spanish. 1. Spanish. uncredited. http://samples.audible.de/bk/olst/000154/bk_olst_000154_sample.mp3.