Sachbuch, Fremdsprachiges Buch, Ratgeber / Sprache: Englisch / Verlag: VDM Verlag / Autor: Weldeyohannes, Habtamu / Seitenanzahl: 124 / Erscheinungsjahr: 2009
Performed Identity, Klypchak, Revision with unchanged content. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction engaging multiple performative realms. Metal musicians make performative choices for serving parti
Music of Switzerland, Switzerland has long had a distinct cultural identity, despite its diversity of German, French and other ethnicities. Religious and folk music dominated the country until the 17th century, with growth in production of other kinds of
L´Ottava Isola, Garigliano, This work is the result of a field research on music, migration and cultural identity conducted between Italy (Sicily) and Sydney (Australia) between 2004 and 2009. Introducing the reader to the history of Sicilian (and more br
Sounds of Resistance, Wolvers, This book is a study of Jamaican music as a postcolonial text with special regard to processes of identity formation. It explores how an African identity is created within the music through the conscious enhancement and cons
Modest Mussorgsky, Modest Petrovich Mussorgsky (March 21 , 1839 March 28 , 1881), one of the Russian composers known as the Five, was an innovator of Russian music in the romantic period. He strove to achieve a uniquely Russian musical identity, often in
Designing interactions for out, Tsouni, This is a research on how people can create a stronger connection to a place through the music that they are listening to in the specific place. It is about making a place´s identity stronger through social interact
(Frémaux & Associés) 50 Tracks - 48 page booklet - The History of World Music has enabled us to discover the most unlikely genre - Country Quebec I This boxed edition portrays all the typical aspects of Country Music, but the titles are sung in French. This fusion of the mythical herds led by comboys and the patrimony of French-speaking lands adds to Quebec´s strong identity!
Before Saturday March 26th 2005, Doctor Who had been off the air as a regular, new TV series for more than fifteen years; until a production team led by Russell T. Davies re-imagined the programme so successfully, so triumphantly, that it´s become an instant Christmas tradition, a BAFTA winner, an international ´superbrand´ and a number one rated show. It´s even been credited with reinventing family TV. This is the first full-length book to explore the ´new Who´ phenomenon through to the casting of Matt Smith as the new Doctor. It explores Doctor Who through contemporary debates in TV Studies about quality TV and how can we define TV series as both ´cult´ and ´mainstream´. Further, the book challenges assumptions in focusing on the importance of breath-taking, dramatic moments along with narrative structures, and in analysing the significance of Murray Gold´s music as well as the series´ visual representations. Matt Hills is a lifelong Who fan and he also considers the role of fandom in the show´s return. He investigates too the multi-generic identity, the monster-led format, and the time-travelling brand of BBC Wales´ ´Doctor Who´. In the twenty-first century, TV is changing, but the last of the Time Lords has been more than ready: he´s been fantastic.
Various Greetings From Texas When Americans meet each other, the first question they usually ask is, ´´Where you from?´´ If the answer is ´New Jersey,´ ´Kansas´ or ´Rhode Island,´ there´s often a polite silence. Followed by a change of subject. But if the answer is ´Texas,´ it´s not unusual to hear some genuine enthusiasm. ´´Really! What´s it like?´´ Like it or not, there is awe surrounding Texas. Sure, it´s big. In fact, it´s almost the biggest state there is. The Sons of Sam Houston probably still haven´t forgiven those upstart Alaskans. But in any case the response you get goes beyond land mass. There´s something about Texas. Texas is a culture. It´s a way of life. People from Texas are not simply average Americans. They´re Texans. There have probably been more movies about Texas than any other state, and as far as music goes….well, just read on. Mind you, not all the qualities associated with Texas are admirable. Like movies and music, there are probably more jokes about Texas than there are about any other state in the union. Texans take a fair amount of ribbing about who they are and what they do. Ribbing, of course, is the least you can expect when your national cuisine is barbeque. Who can count all the jokes about Texans who die, go to Heaven (or Hell) and end up getting barbeque sauce all over the place? One way or another they manage to antagonize the guy in charge. St. Peter complains because there are pickup trucks or empty six packs all over the streets of gold. The Devil complains because a bad day in Hell is ´´like a spring day in Amarillo.´´ And besides, the damned Texans are barbequing on the fires of Hell and have installed air conditioning just in case it really heats up a bit. In short, Texans take their culture with them wherever they travel, including the hereafter. Texans, as well as visitors from more temperate climes, have a lot to say about Texas weather. The heat is a big topic of conversation. Texans pick their parking places by shade, not distance. They know that a seat belt in July does a pretty good imitation of a branding iron. Droughts, too, are a way of life. Texans long ago stopped associating bridges with water. As folks in the country say, ´´It´s so dry the trees are bribin´ the dogs.´´ Just about every quality of Texas life – whether good, bad or indifferent – is on display on this collection. Twenty-five songs telling you a whole lot of what you need to know about Texas and Texans. Here are the things that Texans are proudest of, right along side a few other qualities they may not be quite as proud of, but they sure ain´t ashamed enough to stop writing and singing songs about them. You´d think that a collection like this would consist solely of native Texans singing their pride, but that´s not the case. Admittedly many of these artists hail from Texas – men like Ernest Tubb, Willie Nelson, and Tex Ritter, but there are plenty of exceptions. And speaking of Mr. Ritter, when a guy adopts the name of a state as his first name, you know you´re on to some serious identity issues. And Tex Ritter is just the tip of the iceberg. Think about Tex Williams – who came from Illinois! There just aren´t too many guys out there calling themselves ´Illinois Williams´ or ´New Jersey Jones´ or ´Pennsylvania Smith.´ Along with Williams, there are quite a few non-Texans on this collection proudly singing about the joys and perils of life in the Lone Star state. When you have a guy of Scandinavian ancestry like Ole Rasmussen (whose California-based band was named the Nebraska Cornhuskers) or a Canadian from Nova Scotia singing about Texas, you know there´s something powerful going on. And Hank Snow isn´t the only Canadian on board this train. There´s fellow Nova Scotian Wilf Carter as well. And there are lots of out-of-state Americans like Sanford Clark (Oklahoma), Hank Locklin (Florida), Rex Allen (Arizona), and old Roy Rogers, himself, who hailed from Ohio. Nothing stopped these non-Texans from singing the praises of Texas.